Kateryna is a craftswoman whose name has become synonymous with modern macramé. She has transformed an ancient craft into an art form where every hand-woven knot carries meditation, light, and a deep philosophy. Her works—ranging from weightless Angels to stylish clothing and interior wall panels—have found fans all over the world and have been recognized on international platforms, specifically Golden Time Talent. We spoke with Ekaterina about her creative journey, the importance of manual labor, the symbolism of Angels, and her future plans within the Global Talent Confederation.
Kateryna, you create unique pieces using the macramé technique. Tell us, what was the turning point when you decided to dedicate yourself to this ancient, yet very modern, form of creativity?
That turning point was the realization that through macramé, I could connect the inner world with the outer world, turning a thread into meditation and inspiration. When my hands first began to weave knots not out of a desire to simply create an ornament, but from a striving to express a state of soul, I realized—this is not just a craft, it is a path. In this ancient art, there is a surprising modernity: it teaches attention, slowing down, beauty in the simple, and true presence. Since then, I decided to dedicate myself to macramé—as a way to create, heal, and be in harmony with myself and the world.
At first, I used exclusively natural materials. But then the idea and understanding came to me that every material is good in its own way. If applied correctly, the products will be bright and expressive. Currently, I use cotton threads, recycled cotton, and polyester in my products.
You use various materials. Which materials do you prefer, and why is their quality so important to your work?
Macramé is a technique with a very ancient history. How do you combine traditional knots and techniques with modern design so that your products remain relevant?
Macramé is a technique with an ancient history, rooted in the culture of the East. Once, knots served not only as decoration but also as a symbol of protection, an amulet. I try to combine traditional knots and techniques with a modern look at design, experimenting with materials, colors, and textures. In my works, classical knots become part of minimalist interiors, stylish accessories, and even clothing. For me, modern macramé is a way of self-expression that shows how tradition can be fresh, light, and inspiring.
How is the idea for a new product born? What is more defining for you in the process: the functionality of the item, its aesthetics, or the philosophical idea?
For me, the idea for a new product is not born suddenly—it emerges from a state, from an internal response. Sometimes the thread itself inspires me, sometimes it’s natural forms, light, or music. When I start working, it is important for me to combine three things: functionality, aesthetics, and a philosophical idea. Functionality makes the product alive—so that people want to use it, so that it brings comfort and joy. Aesthetics is the language of form, light, and proportions through which the product communicates with a person. And the philosophical idea is the heart, the deep meaning for the sake of which every thing is born.
Among your products are clothes, jewelry, angels, and wall panels. Which direction brings you the most inspiration and why?
Angels and wall panels bring me the most inspiration. In them, I feel a special depth and meaning. When I create an Angel, it is like a silent prayer, a moment of inner light. Every knot becomes a sign of care, a reminder of the presence of something higher. And the panels are my opportunity to speak the language of space, weaving harmony into the walls, into the air, into the very mood of a person.
You create Angels. What story or idea stands behind this image in your work?
When I create Angels from threads, for me it is a living symbol of light, purity, and inner support. Every Angel is born from silence, from a state of heart-centered peace, like a form of prayer. I use the knowledge of Vastu to feel how form and space affect the energy of the product. For me, an Angel is an image of protection, a conductor of light, a reminder that the soul can always spread its wings.
You believe that manual labor brings harmony and beauty. What emotions and feelings do you strive to convey through your products, and how is this philosophy reflected in your daily life?
I sincerely believe that manual labor brings harmony and beauty into the world. Through my products, I strive to convey calmness, tenderness, purity, and light. So that a person, by touching them, feels warmth and an internal response. This philosophy has become a part of my life: I try to live the same way I weave—attentively, consciously, with love for details.
Your works have found their admirers all over the world. How do you feel about such recognition, when your products are showcased on fashion runways, in exhibitions, and used in charity photoshoots?
I regard this recognition with deep gratitude and humility. When my products appear on fashion runways, I see it as an opportunity to show that macramé is a contemporary art. It is especially touching when my works participate in charity photoshoots. In those moments, I feel that creativity can serve the good, inspire, and convey hope.
Which international exhibitions, fairs, or festivals left the strongest impression on you and why?
I was very inspired by the All-Ukrainian exhibition, where I saw a great interest from people in macramé. I also presented my works on the international platform Golden Time Talent. This participation was a confirmation for me that macramé is not just a craft, but a modern form of art.
You actively conduct masterclasses. What is your main goal in teaching, and what do you strive to pass on to your students besides purely technical skills?
The goal of my masterclasses is not just to teach the technique of macramé. I want to help every participant touch a state of inner peace and inspiration. Through creativity, I pass on a sense of harmony, connection with nature, and gratitude. It is important to me that a person leaves not only with a finished product but also with a sense of light, strength, and self-confidence.
What is the main message you want to convey to the world through your creativity in the near future?
In our restless world full of stress, I remind the world through my creativity that through a thread, through a knot, one can return to oneself, restore harmony, and feel the presence of Light. My message to the world is to live in harmony with space, nature, and oneself. I believe that creativity is a path to the soul and to love.
