Art and business seem like two opposing worlds. One is about creativity, emotions and self-expression, while the other is about numbers, strategy and profit. But what if these worlds could not only coexist, but also complement each other, creating something completely new and unique? Lillian Matinyan is a shining example of such a union. An artist, teacher and supermarket owner, she breaks down stereotypes, proving that inspiration can be found anywhere and that entrepreneurial spirit helps to bring even the most daring creative ideas to life.
Lilian, tell us about how your artistic style began to form, and when you realized you wanted to pursue art? What or who influenced your early desire to draw and create?
From childhood, a vibrant creative energy lived inside me. I started with fashion design because I loved colors, textures, and the idea of self-expression through clothing. Over time, I realized that painting and sculpture gave me more freedom. It wasn’t an “aha, this is how I choose art” moment, but rather a natural process: the more I created, the more I understood that it wasn’t just a hobby but a way of life.
The desire to express myself creatively appeared in childhood. I observed the world: colors, shadows, human emotions. I was inspired by the little things that most people don’t notice. My parents gave me creative freedom, but the greatest teacher was life itself: experiences, joys, and the desire to communicate without words.
You mentioned that you integrate art into your supermarket, creating "original compositions" from various products. Could you provide a more detailed example of such a composition and how it enhances the customer experience?
I decorated a corner of the store with a composition of seasonal fruits and vegetables in harmonious colors. I used wooden crates, fabrics, and natural materials—it all became like a canvas. Customers would stop, look, and say that they weren’t just seeing a product, they were having an aesthetic experience. I wanted to bring art into everyday life.
In your opinion, how does your experience in economics and accounting complement your artistic endeavors? Can you give an example of how interdisciplinary thinking has benefited one of your projects?
My knowledge of economics and accounting helps me structure my projects: to evaluate costs, plan, and make my dreams sustainable. Art is freedom, but without order, it cannot develop. The combination of creativity and rationality gives me balance.
You have achieved success in art exhibitions and teaching. What was the most valuable part of participating in these exhibitions, and what impact do you hope your art has on viewers?
When someone stops in front of your work and is moved, that’s a priceless moment. Exhibitions allow me to share parts of myself. These are moments of sincerity, connection, and inspiration. It encourages me to continue creating with meaning.
Teaching painting to children in the Armenian community of Komotini sounds incredibly fascinating. What is your teaching philosophy, and what do you hope your students gain from your classes besides artistic skills?
I believe that art teaches children to express themselves, be confident, and imagine. I don’t just teach them technique; I encourage them to see the world through their own eyes. For me, the classroom is a safe space where mistakes are welcomed and differences are valued.
Five of your students were awarded at the Children's Art Gallery of Greece. What do you think contributed most to their success, and how did you feel about this achievement?
It was a very touching moment. These were not just awards—they were confirmation that the children felt and expressed something real through art. The main thing is that I gave them freedom: I didn’t ask them to make something “beautiful,” but to express themselves. They believed in themselves, and it showed in their work.
You enjoy learning new techniques, but your favorite style remains classical painting inspired by the Renaissance and Rococo periods. What specifically attracts you to these historical art movements, and how do they influence your modern work?
The Renaissance captivates me with its deep human harmony—expressiveness, perspective, and balance. The Rococo style attracts me with its grace, subtlety, and sense of a dream. Through these styles, I feel a connection to something eternal. In my modern work, I try to combine classical structure with personal sensitivity and meaning.
Your dream is to have your works exhibited in famous galleries like the Uffizi. What steps are you currently taking or planning to take to achieve this ambitious goal?
I am systematically working on the quality and uniqueness of my work. I participate in international competitions, send my works to curators, and carefully build my portfolio. The dream is ambitious, but I am moving patiently and with an inner fire—each step opens up new connections and opportunities.
You participated in the International European Artists Award in Florence. How did that experience contribute to your artistic development and your connections in the art world?
It was an experience that expanded my horizons. I saw my work alongside pieces from all over the world—I felt both small and proud. It was a confirmation that my art can be respected on the international stage. I met artists, exchanged ideas, and found inspiration.
Your main goal is to continue combining art with economics. Besides your supermarket, what other innovative projects do you envision that will highlight the value of creativity in everyday life?
I dream of opening an interactive space in the city—an “art station” where people of all ages can create, express themselves, and connect. I want art to become accessible and commonplace—like a walk in the park or a conversation in a cafe. You don’t have to be a professional to create.
You mentioned that you are continuously growing both professionally and personally. Can you give an example of a recent area where you have developed and how it has impacted your work or life?
Recently, I have been working on myself—I’ve learned to set boundaries, say “no,” and make space for personal growth. This has given me creative freedom and honesty in my expression. I understand the emotions I portray in my paintings and sculptures more deeply.
