In a world where music serves as a universal language, stories of talent, faith, and dedication to one’s calling always resonate. Today, we delve into the captivating journey of gospel artist Tunde Owomuyiwa A.k.A Dele Moon, who recently sat down with us for an interview. His career began on school stages and has led to a powerful ministry that blends worship with cultural heritage. Get ready to discover how deep faith, personal trials, and an unwavering drive shaped a unique sound capable of inspiring souls and spreading a light of hope across the globe.
Please tell us about your journey into music. How did your career begin?
My journey into music began when I was a kid, singing in both the school and church choir. I didn’t think much of it until my class teacher, Mr. Andy, heard me sing and asked me to perform at our school’s graduation. That moment gave me a push. I later joined the church choir as the youngest member—so young, in fact, there was no gown small enough to fit me. Still, during rehearsals, our choir leader often gave me the high-pitched solos. That experience helped me find my voice, build confidence, and gradually transition into singing with the adult choir. It’s been a steady grind ever since, but every step has brought me closer to the artist I’m becoming.
Your music career started in 2011, and by 2012, you dedicated yourself to gospel music. What exactly motivated you to make this decision and fully transition to Christian music?
My music career officially began in 2011 with a popular campus hit titled “Bluetooth.” But everything changed in 2012 when I became a born-again Christian. One verse that deeply spoke to me was 2 Corinthians 5:17: “Therefore, if anyone is in Christ, he is a new creation; old things have passed away; behold, all things have become new.” That truth hit home and led me to fully dedicate my gift to gospel music.
I came to understand that I wasn’t just a singer; I was a music evangelist. My songs became a tool to preach Jesus, uplift hearts, inspire change, and breathe life into broken places. For me, gospel music isn’t just a genre to soothe the ears of listeners; it’s a calling to reach lost souls and touch hearts with the message of hope.
You started singing in a Christian choir at the age of 11. What are your most vivid memories from the beginning of your musical journey in childhood, and how did they influence your future choices?
One of the most vivid memories from my early music journey was being told I couldn’t join the adult choir because there was no robe small enough for me. I didn’t let that stop me. I went into the choir dressing room, picked an average-sized robe, tied it with my elder sister’s headscarf as a belt, and used part of the choir’s white shirt veil to cover my waist. When I stepped out, the entire congregation burst into cheers and laughter.
That moment stuck with me, not because the robe looked oversized, but because it taught me a powerful lesson: if you truly want something and refuse to give up, you’ll find a way. That bold step, even as a child, shaped my mindset and has motivated me ever since to be disciplined and confident.
After returning in 2020, you released several notable tracks. What changed in your approach to music or life during your break?
After returning in 2020, I came back with a deeper sense of purpose and clarity, both in life and in music. During the break, I had time to work on myself, reflect, grow spiritually, and realign with my true calling. It wasn’t just about making music anymore; it was about creating songs that carry a message, that heal, uplift, and point people back to God.
That shift is reflected in the songs I released: “You Are” (2021), “My Sacrifice” (2022), “Gbamila” (2023), “Alujo Gospel” (2024), and “If No Be You” (2025). Each track came from a real place of depth and personal experiences, testimonies, and moments of revelation. My approach became more intentional, more honest, and more focused on impact over popularity. The break helped me grow, and that growth reshaped my sound and writing skills.
Your songs combine worship and cultural elements. How do you manage to harmoniously blend these two aspects in your music? What emotions or messages do you aim to convey to your listeners through your songs?
Blending worship with cultural elements is very intentional for me. I believe worship doesn’t have to be confined to one sound or language; it should reflect who you are and where you come from. So, I bring in traditional rhythms, native languages, and local instruments that carry the soul of my culture, while staying rooted in the heart of worship.
The goal is to create a sound that’s both spiritual and relatable—something that connects with people deeply, whether they’re in a church, at home, or just going through life. I want my listeners to feel God’s presence, but also to feel seen, represented, and uplifted. Through my songs, I aim to communicate gratitude, hope, strength, and a reminder that God meets us right where we are, even in our native tongue and cultural expression.
You mentioned that your debut album is in the works. Could you tell us more about it? Is there a central theme or message you want to communicate through this album?
Yes, my debut album is currently in the works, and it’s something I’ve been pouring my heart into. This project is more than just a collection of songs because it was received from a deep realm; it’s a testimony in sound. The central theme is “Light of God Album.” It tells the story of who I am, where I’ve come from, and how God’s grace has shaped every step of the journey.
Each track carries its own message: some are deep worship, some are rooted in cultural celebration, and others speak to personal struggles and victories. But they all point back to God’s faithfulness. My goal is to create an album that inspires, encourages, and reminds people that no matter their background, God’s grace covers them and their identity in Him is unshakable.
Which of your tracks do you consider the most significant and why?
One of the tracks I consider most significant is “My Sacrifice” (2022). That song came from a very personal place. To me, it’s the least melodious, but it was birthed during a season of deep reflection, surrender, and renewed faith. It’s not just a worship song; it’s a message, a declaration of total submission to God, even when things don’t make sense.
What makes it so meaningful to me is the raw honesty in the lyrics. It reminds me and hopefully others that worship isn’t just about singing when things are good, but about laying everything down—even your pain, dreams, and questions—as an offering to God. That track captures my heart as a gospel artist and as a believer.
You are not only a performer but also a content creator and have directed church dramas. How do these different forms of creativity intersect and influence each other in your work?
Yes, I’m not just a performer; I’m also a content creator and a church drama director, and for me, all these creative expressions are deeply connected. Whether I’m on stage singing, writing a script, or producing visual content, it all comes from the same place: a desire to communicate truth, stir emotions, and point people to God.
Directing church dramas has taught me how to tell stories that stick, how to use silence, tension, and emotion to drive a message home. That skill translates directly into my songwriting and performances. I don’t just sing; I paint a picture with words and sounds. Creating content also helps me stay connected with people where they are, especially in this digital age. All these elements fuel each other and give my work more depth, impact, and authenticity.
What is your process for creating songs, from the initial idea to the final track? Do you have any special rituals or a particular place where you find inspiration? If you could describe your music in three words, what would they be and why?
My special ritual is staying rooted in the Word of God. Psalm 34:1 says, “I will bless the Lord at all times; His praise shall continually be on my lips.” That scripture guides my creative process.
The more I fill myself with God’s Word, the more I have to offer both to my listeners and back to God in praise. I fully understand the depth of the gift He’s placed in me, and I’ve learned to trust it with the help of God. That’s what allows the rhythm and melody to flow naturally when I’m creating music.
If I had to describe my music in three words, they’d be: Unique, Spirit-filled, and Rooted in the Word of God, which is the foundation of everything I do.
You are originally from Nigeria but now reside in the United Kingdom. How has this influenced your music and worldview?
Being originally from Nigeria and now living in the United Kingdom has deeply shaped both my music and my outlook on life. Nigeria gave me strong roots, rich culture, vibrant rhythms, expressive language, and a solid spiritual foundation. The UK, on the other hand, has introduced me to diversity, structure, and fresh creative opportunities.
This blend of experiences is reflected in my upcoming album, where I intend to merge African rhythms with global gospel influences. It’s a sound that speaks across cultures while staying true to my heritage. I always say music is a universal language, something all living things understand.
Living between two worlds has expanded my perspective. I’ve seen how music can bridge cultural gaps, break down barriers, and bring people together. It’s made me more intentional about using my voice to reflect my culture, share my faith, and deliver my message with purpose and clarity.
How do you balance creativity, personal life, and faith?
Balancing creativity, personal life, and faith isn’t always easy, but I’ve learned it’s all about setting priorities and staying grounded. I think my faith comes first; it’s the foundation that keeps everything else in place. I start my day with prayer and the Word, and that helps me stay centered no matter how busy things get.
Creativity flows best when my spirit is aligned, so I try not to separate my faith from my work—it’s all connected. As for personal life, I’ve learned the importance of rest, family time, and knowing when to pause. Balance doesn’t mean doing everything at once; it means knowing what matters most in each moment and giving that your full attention.
What are your plans for the coming years? What advice would you give to aspiring musicians who want to dedicate themselves to gospel music?
In the coming years, my goal is to keep growing, not just as an artist, but as a vessel for impact. I’m working on more music, live recordings, international collaborations, and outreach projects that combine music and ministry.
To aspiring musicians who want to dedicate themselves to gospel music, my advice is simple: stay rooted in God. Let your relationship with Him guide everything you do. Don’t chase trends, chase purpose. Develop your gift, stay humble, be consistent, and never lose sight of why you started. Gospel music is not just entertainment; it’s a calling. Treat it with reverence, and God will use your voice to reach people far beyond what you imagine.
